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My Nursery Rhymes Collection: Compiled by Mark MacLeod

Generations of children have learnt from nursery rhymes how to count, tell the time, name different colours and shapes – all sorts of things. And because the words are easy to remember, they love to join in. Here’s a new collection chosen by Mark Macleod and set to music by Peter Sullivan for you to share with your children.

Traditional songs such as ‘Hickory Dickory Dock’, ‘Jack and Jill’ and ‘Mary Had a Little Lamb’, new versions and the fun action rhymes that gets young fingers and feet moving such as ‘If You’re Happy and You Know It’ and ‘I’m a Little Teapot’. There is also a wonderful selection of original Australian rhymes and poems, funny, silly and thoughtful – sometimes sung and sometimes spoken – these will become your children’s new favourites!

Track Listing:

CD 1

PART 1 - COUNTING

1. One Potato, Two Potato

2. One to Get Ready

3. Baa, Baa, Black Sheep (Australian version rap)

4. One, Two, Three, Four, Possums Sitting By the Door

5. Rub-a-dub-dub

6. Three Wise Men

7. Vintery, Mintery, Cutery, Corn

8. One, Two

9. One Man Went to Mow

10. Five Rock Cakes

11. Five Little Firefighters

12. Five Fat Sausages

13. Five Little Monkeys

14. Elizabeth, Libby, Liz and Beth

15. Six Little Ducks

16. One, Two, Three, Four, Five

17. Sing a Song of Sixpence

18. As I Was Going to St Ives

19. This Old Man

20. Higgledy Piggledy

21. Ten Green Bottles

22. Ten Little Skaters

23. Pineapple, Pineapple

24. One For

25. The Ants Go Marching

PART 2 – TIME

26. Hickory Dickory Dock

27. Wee Willie Winkie

28. Good Night, Sleep Tight

29. A-diller, A-dollar

30. Bell Horses

31. Girls and Boys, Come Out to Play

32. Robin and Richard

33. Elsie Marley

34. Mrs McBite

35. Sunshiny Shower

36. Pease Porridge Hot

37. Hayfever

38. How Many Days?

39. Monday’s Child

40. Thirty Days Hath September

PART 3 – COLOUR

41. Roses are Red

42. Red Sky

43. Robin Redbreast

44. The Little Green Frog (Galumph)

45. A Tisket, A Tasket

46. Five Green Speckled Frogs

47. Little Boy Blue

48. Oh Dear, What Can the Matter Be?

49. Daffy-down-dilly

50. Mary’s Canary

51. Bobby Shaftow

52. I Had a Little Nut Tree

53. Mary Had a Little Lamb

54. Miss Mary Mack

55. Three Young Rats

56. The Farmer and the Raven

57. Afternoon Tea

58. Lavender’s Blue

PART 4 - MULTIPLICATION

59. 2 Times Table Rhyme

60. 3 Times Table Rhyme

61. 4 Times Table Rhyme

62. 5 Times Table Rhyme

63. 6 Times Table Rhyme

64. 7 Times Table Rhyme

65. 8 Times Table Rhyme

66. 9 Times Table Rhyme

67. 10 Times Table Rhyme

CD 2

1. If You’re Happy and You Know It

2. Open, Shut Them

3. This Little Pig Went to Market

4. Dance for your Daddy

5. Pat a Cake

6. Hey Diddle Diddle

7. I’m a little Teapot

8. Mary, Mary, Quite Contrary

9. Jack and Jill

10. Little Bo Peep

11. Baa, Baa, Black Sheep (traditional)

12. Two Little Budgies

13. Kookaburra, Kookaburra

14. Little Miss Muffet

15. Eensy Weensy Spider

16. Georgie Porgie

17. Little Jack Horner

18. Jack Be Nimble

19. Diddle Diddle Dumpling

20. Humpty Dumpty

21. Doctor Foster

22. Ride a Cock Horse

23. Row, Row, Row Your Boat

24. Michael Finnegan

25. There Was a Crooked Man

26. Kangaroo, Carry Me

27. Twinkle, Twinkle, Little Star

28. Old Macdonald Had a Farm

29. There Was an Old Woman Who Swallowed a Fly

30. There Was an Old Woman

31. She Sells Seashells

32. The House that Jack Built

33. Hush-a-bye, Baby

34. Hark, Hark, the Dogs Do Bark

35. Wynken, Blynken and Nod

36. Star Light, Star Bright

CD 3

1. Wombat

2. The Fish Wall

3. Mr Prime Minister

4. Three People Know

5. A Pinch and a Punch

6. A Bit of a Bump

7. My New House

8. Thai Food

9. Windy Day

10. I Know How Old I Am

11. Dinnertime

12. Night Flight

13. Love

14. Feeding the Chooks

15. Lunchtime

16. Washing

17. Circles

18. Pelican

19. Skipping Song

20. Monkey and Donkey

21. Opposites

22. I Can Ride

23. Breakfast

24. Two at a Time

25. Birthday Party

26. Bikes

27. Good Dog

28. Holiday

29. Getting Ready

30. Birds in Spring

31. Counting the Steps

32. Open the Window

33. Sweet Dreams

34. The Only One

35. Train Song

36. Hedgehog

37. On the Beach

38. Hopping

39. Eye on the Ball

40. Pink

41. What’s For Dinner

Release
ABC Jazz presents Kiri, an exquisite and ravishing new album from Australian trumpeter Niran Dasika and Japanese pianist Sumire Kuribayashi.Recorded live at the Wangaratta Festival of Jazz in 2018, Kiri captures two exciting young artists utterly in synch with each other, demonstrating the sort of chemistry that only comes from a deep musical connection.Dasika met Kuribayashi met in Tokyo in 2015, shortly after he moved to Japan, and over the following years they played together in various combinations. Says Dasika, “As with all good musical collaborations it started from an unlikely chance meeting and was sustained by a combination of friendship and shared musical vision.”The compositions on this album are inspired by the ‘nihonga’ paintings of renowned Japanese author and painter Kaii Higashiyama, which occupy a special place in Dasika and Kuribayashi’s relationship.“When I moved back to Australia at the end of 2017,” Dasika recalls, “Sumire gave me a book of Higashiyama prints as a parting gift. This book remained open on my piano music stand in Perth for about three months, during which I would sporadically open to a page that caught my interest and improvise, playing the piano and singing melodies, until it started to sound like how the painting feltto me. I don’t consider myself at all knowledgeable about art, but Higashiyama’s paintings seem to me, with only some simple colours and geometric shapes, to really capture the feeling of being in nature.“The first sketch I wrote was for the painting ‘Kiri’ (Mist) which forms the cover artwork for the album. ‘Kiri’ depicts just a few tree trunks fading into the distance, but there’s something about the textures that conveys the feeling of cool, damp mist on my skin. ’Evening Tide’ shows a shoreline at night with barely anything visible yet I can hear the sounds of the waves crashing unseen on the shore.”Most of the compositions on the album fill no more than a single page when written out, but such is the connection between these two that these outlines can become over ten minutes of music in a performance.“Both Sumire and I approach improvising in this project from a very compositional angle. By playing together over several years we’ve been able to develop enough trust and mutual understanding that we anticipate each other’s reactions and can create longer spontaneous forms in the moment.”Born in Canada and raised in Melbourne with Indian and German heritage, Niran Dasika is a trumpeter gaining increasing attention around Australia and abroad for his distinctive, ethereal trumpet sound and compositions. Niran’s virtuosic trumpet playing has placed him in high demand both in Australia and in Japan, where he spent some years performing and recording on albums from Blue Note Records, Sony Music, Diskunion Records and more. Awarded 2nd place at the 2017 National Jazz Awards, in 2019 Niran was the recipient of the APRA AMCOS Professional Development Award and the Jazz Bell Awards Young Australian Jazz Artist of the Year, in addition to being nominated for the Freedman Jazz Fellowship.Sumire Kuribayashi is a Japanese pianist and composer gaining increasing renown within Japan and overseas. She has performed with Japanese jazz legends Hino Terumasa, Hideaki Kanazawa, Naoko Terai and has released four critically acclaimed albums under her own name. Jazzconvention.net said of Sumire, ”Belonging to the young generation of Japanese jazz scene, Kuribayashi has become in the last few years one of the most appreciated pianists both for her noteworthy creative qualities and the remarkable storytelling that crosses the textures of her music.”TRACKLISTING1. Kiri (Mist) 11’572. Seikyou (Green Echoes) 7’133. Wildflower / Iku Haru (Passing Spring) 12’464. Hana Akari (Bright Cherry Blossoms) 7’155. Bochou (Evening Tide) 9’576. Spring Hymn 5’08Niran Dasika trumpetSumire Kuribayashi piano
Release
Building on the success of our first Women of Note album last year, ABC Classic is thrilled to be releasing the second volume in our now annual celebration of Australia’s female composers.This 2CD album, released in time for International Women’s Day (8 March), begins with music from pioneers of Australia’s musical heritage: Margaret Sutherland, Miriam Hyde, Dulcie Holland, and introducing Linda Phillips, whose work as a critic and as chief adjudicator of the prestigious Sun Aria competition across three decades helped to shape this country’s musical landscape, but whose compositions – prized by such artists as Dame Joan Sutherland – have been unjustly neglected in Australia’s recorded music catalogue. Her quartet Exaltation, a swirling mixture of melancholy and exuberance, shows the composer exploring the musical legacy of her family’s Jewish background.Five other world premiere recordings feature on the album. Multiple award-winning composer Mary Finsterer is represented by a live concert recording of her double bass concerto Lake Ice, an exploration of music as storytelling and as journey, guided by the beautiful yet rarely heard sonorities of the bass as solo instrument. From Miriama Young we have a re-imagination of the historical soundworld of Sydney Harbour in Time and Tide, blending field recordings ancient and modern with brass and percussion instruments. We are also delighted to be presenting the first commercial recording of music by rising star Ella Macens: her soaring orchestral work The Space Between Stars.The other two world premiere recordings are by Indigenous Australian composers. From Yorta Yorta woman, opera singer, composer and educator Deborah Cheetham comes Eumeralla, a war requiem for peace: a powerful and poignant response to the resistance war fought by the Gunditjmara people in southwest Victoria and to the troubled spirits of all who fell in those battles, on both sides. And Yuwaalaraay composer Nardi Simpson gives us Wilga’s Last Dance, honouring the only traditional melody from her people that was ever recorded.Moya Henderson takes us to the Tasmanian wilderness with her transcendent string quartet Kudikynah Cave, evoking moments of ecstatic stillness during the raft journey to the cave’s entrance, along the Franklin River. Katia Tiutiunnik draws inspiration from the moment a mother first feels her baby move inside her womb for her flute and piano duet The Quickening. Katy Abbott, always alert to the quirks and foibles of humanexistence, applies wit and humour to the multiple meanings of the word Punch in a work for brass ensemble. Amanda Cole marries marimba and cowbells in her energetic percussion solo Glocken Blocken. Rachel Bruerville (Dancing on Tiptoes) and Natalie Nicolas (We Won’t Let You Down) worked with teenagers in hospital mental health wards to create music of joy and profound optimism. And Elena Kats-Chernin’s beloved Eliza Aria is presented in its original version for quizzical soprano solo over delicately plucked stringsTRACKLISTINGCD 1DULCIE HOLLAND 1913–2000 Sonata for violin and piano 1 I. Quasi recitativo – Andante – Vivo 2 II. Slow and somewhat rubato 3 III. AllegroAsmira Woodward-Page violin, Scott Davie pianoLINDA PHILLIPS 1899–2002 4 Exaltation (Chassidic Air and Dance)*Anne Gilby oboe, Isin Cakmakcioglu violin, Rachel Atkinson cello, Robert Chamberlain piano LIVE RECORDINGMIRIAM HYDE 1913–2005 5 Village FairSydney Symphony Orchestra, Dobbs Franks conductorMARGARET SUTHERLAND 1897–1984 6 Haunted HillsMelbourne Symphony Orchestra, John Hopkins conductorMOYA HENDERSON born 1941 7 Kudikynah CaveAcacia QuartetKATIA TIUTIUNNIK born 1967 8 The QuickeningLaura Chislett flute, Stephanie McCallum pianoELENA KATS-CHERNIN born 1957 9 Eliza Aria from Wild Swans – Concert SuiteJane Sheldon soprano, Tasmanian Symphony Orchestra, Ola Rudner conductorCD2KATY ABBOTT born 1971 1 PunchBrass ensembleMARY FINSTERER born 1962 2 Lake Ice: Missed Tales No. 1*Kees Boersma double bass, Sydney Symphony Orchestra, Jessica Cottis conductor LIVE RECORDINGAMANDA COLE born 1979 3 Glocken BlockenClaire Edwardes marimba and Almglocken (cowbells)MIRIAMA YOUNG born 1975 4 Time and Tide*2018 Sydney Symphony FellowsRACHEL BRUERVILLE born 1991 5 Dancing on TiptoesACO CollectiveNATALIE NICOLAS born 1992 6 We Won’t Let You DownACO CollectiveELLA MACENS born 1991 7 The Space Between Stars*Sydney Symphony Orchestra, Jessica Cottis conductor LIVE RECORDINGDEBORAH CHEETHAM born 1964 Eumeralla, a war requiem for peace* – excerpts 8 IV. Kooyeen-wanoong (Liber scriptus) 9 V. Tyookooyong-ee (Agnus Dei)Libretto by Deborah Cheetham, translated into Gunditjmara dialects by Gunditjmara language custodian Vicki Couzens and linguist Travers Eira.Deborah Cheetham soprano (Yorta Yorta), Linda Barcan mezzo-soprano, Don Bemrose baritone (Gungarri), Melbourne Symphony Orchestra Chorus, The Consort of Melbourne, Dhungala Children’s Choir, Melbourne Symphony Orchestra, Benjamin Northey conductor LIVE RECORDINGNARDI SIMPSON born 1975 10 Wilga’s Last Dance*Royal Australian Navy Band* World premiere recording
Release
“This was a superb concert. 5 stars.” Artshub“The idea of pairing Australia’s finest up and coming pianist with our finest contemporary conductor to perform and record a cycle is a great one.”LimelightABC Classic is thrilled to announce the release of the complete piano concertos by Beethoven, performed by pianist Jayson Gillham, with the Adelaide Symphony Orchestra conducted by Nicholas Carter.This cycle – the first in twenty years recorded with an Australian pianist, conductor and orchestra – is a major contribution to the ongoing celebrations of Beethoven’s 250th anniversary.Beethoven’s five piano concertos stand at the very pinnacle of classical music. Written between 1795 and 1809, they trace the evolution of Beethoven’s music from the inheritor of the Classical style perfected by Mozart and Haydn, to the inventor of a style that was entirely his own: dramatic, expressive, and revolutionary.Recorded in five concerts performed over 10 days at Adelaide’s Elder Hall in June 2019, these recordings capture a soloist, conductor and orchestra totally in synch with each other, with a shared vision for the sound world and rhetoric of these mighty works. Reviews of the concert remarked at the “chamber music-like intimacy” between the performers, with a “sense of balance and support… often never heard before within these well-known and much listened to works” (Limelight).Internationally praised for his compelling performances, Australian-British pianist Jayson Gillham is recognised as one of the finest pianists of his generation. His debut album, released in 2016, immediately reached the No. 1 spot in both the Core Classical and Classical Crossover ARIA charts, while his latest album, 2018’s Romantic Bach, was described as “exceptional” and “a supremely satisfying recital from start to finish” by Limelight, and Gramophone said that, “many of these performances must bear comparison with famous recordings of the past by Rachmaninov, Myra Hess and Dinu Lipatti. Gillham comes up trumps every time.”Nicholas Carter was appointed Principal Conductor of the Adelaide Symphony Orchestra in 2016 – the first Australian to be chosen as Principal Conductor of an Australian orchestra in over 30 years – and has established a reputation as a conductor of exceptional versatility, equally at home in the concert hall and opera house, and fluent in a diverse repertoire. Newly appointed as Chief Conductor of the Stadttheater Klagenfurt and the Kärntner Sinfonieorchester, Nicholas Carter will lead three new productions per season and appear regularly in the orchestra’s concert series.With a reputation for vitality and versatility, the much loved Adelaide Symphony Orchestra is South Australia’s largest performing arts organisation, established in 1936. For over 80 years, the ASO has been there to corroborate life and contribute to South Australia’s identity. Today the ASO plays a major role in Adelaide’s cultural and economic vibrancy, and enriches the community through a diverse program of world-class performances to more than 100,000 concertgoers each season.TRACKLISTING LUDWIG VAN BEETHOVEN CD1Piano Concerto No. 1 in C major, Op. 151 I. Allegro con brio2 II. Largo3 III. Rondo: Allegro scherzandoPiano Concerto No. 2 in B-flat major, Op. 194 I. Allegro con brio5 II. Adagio6 III. Rondo: Molto allegroCD2Piano Concerto No. 3 in C minor, Op. 371 I. Allegro con brio2 II. Largo3 III. Rondo: AllegroPiano Concerto No. 4 in G major, Op. 584 I. Allegro moderato5 II. Andante con moto6 III. Rondo: VivaceCD3Piano Concerto No. 5 in E-flat major, Op. 73 ‘Emperor’1 I. Allegro2 II. Adagio un poco mosso3 III. Rondo: AllegroJayson Gillham pianoAdelaide Symphony OrchestraNicholas Carter conductor
Release
       “250 years ago, Ludwig van Beethoven, the Grand Mogul from Bonn (as Haydn cheekily referred to him) was born. The German composer, whose own extraordinary story famously includes suffering from profound deafness from his late 20s, would become regarded as the great musical liberator, forging the course of the Romantic movement and beyond.” Richard TognettiIn 2020 the Australian Chamber Orchestra will celebrate two monumental anniversaries: 30 years of fearless leadership with ACO Artistic Director Richard Tognetti and 250 years since the birth of the great Ludwig van Beethoven.To celebrate both milestones, ABC Classic is releasing a collection of the ACO’s legendary Beethoven recordings – including never-before released recordings of two of his greatest works: Symphonies 5 and 6.These recordings represent some of the orchestra’s finest performances, including two #1 albums and three ARIA Award-nominees, and feature collaborations with some of Australia’s finest artists – soprano Nicole Car, and pianistsTamara Anna Cislowska andErin Helyard.Beethoven has endured for centuries as one of the most popular and beloved composers around the world, with his music found everywhere from concert halls, to film soundtracks, to disco-era chart-toppers. He was a true musical revolutionary and is credited with paving the transition between the Classical and Romantic eras. His music has always been a mainstay of the ACO’s core repertoire, but this marks the first time that they have recorded these two monumental symphonies.Since its establishment in November 1975, the Australian Chamber Orchestra has become one of the world’s most daring and exciting ensembles, renowned globally for its inspired programming, unrivalled virtuosity, energy and individuality, showcased through an extensive and ongoing program of international touring and recordings for many of the world’s top labels.★★★★★“The Australian Chamber Orchestra was splendid in its all-Beethoven concert… [achieving] revealing clarity that gleamed like the colours of an old master newly restored.” – Sydney Morning Herald“[Beethoven’s] Fifth is always a crowdpleaser, and the ACO made it exceptionally so. This was the stuff of dreams.” – LimelightTRACKLISTING  CD1Symphony No. 5 in C minor, Op. 67 *1   I.   Allegro con brio2   II.  Andante con moto3   III.Allegro –4   IV.AllegroSymphony No. 6 in F major, Op. 68 ‘Pastoral’ *5   I.   Awakening of cheerful feelings on arrival in the countryside6   II.  Scene by the brook7   III.Merry gathering of country folk –8   IV.Thunder, Storm –9   V.  Shepherd’s song. Cheerful and thankful feelings after the stormCD2String Quartet in B-flat major, Op. 130, with Grosse Fuge, Op. 133 (arr. for string orchestra by Richard Tognetti)1   I.   Adagio ma non troppo – Allegro2   II.  Presto3   III.Poco scherzoso4   IV.Alla Danza tedesca5   V.  Cavatina6   VI.Grosse Fuge7   Romance for Violin and Orchestra in F major, Op. 50      Satu Vänskä– violin8   Piano Concerto No. 5 in E-flat major, Op. 73 ‘Emperor’: II. Adagio un poco mosso     Tamara-Anna Cislowska– piano9   Ah! perfido ... Per pietà, non dirmi addio, Op. 65     Nicole Car – sopranoCD3Sonata for Violin and Piano in G major, Op. 30, No. 3 1   I.   Allegro assai2   II.  Tempo di Minuetto, ma molto moderato e grazioso3   III.Allegro vivaceSonata for Violin and Piano in A major, Op. 47 ‘Kreutzer’ 4   Ia.Adagio sostenuto –5   Ib.Presto6   II.  Andante con Variazioni7   III.Presto     Richard Tognetti – violin     Erin Helyard– fortepiano8   Violin Concerto in D major, Op. 61: I. Allegro ma non troppo     Richard Tognetti– violin* Never previously released
Release
The Huntington Estate Music Festival is one of the brightest stars in Australia’s musical firmament. For three decades, it has been bringing together top-flight musicians from around the country and around the world to present a breathtaking array of chamber music masterpieces, both iconic favourites and delicious new discoveries. Presented by the Huntington Estate Winery in association with Musica Viva Australia, and held in the winery’s Barrel Room, one of the most remarkable and surprising music venues in the world, the Festival is a delight to audiences and musicians alike.After 30 stellar years of exceptional music-making, however, the 2019 Festival will be the last, with Huntington Estate owners Tim and Nicky Stevens reluctantly deciding that their grapes – and their young family – must come first. To mark this significant occasion, ABC Classic is proud to delve into its broadcast archives to present this selection of some of the Festival’s most memorable performances across a typically diverse and intriguing range of repertoire: from Schubert and Dvořák to Bach’s astonishing eldest son Wilhelm Friedemann and Australian composers Ross Edwards and Ian Munro.It was Richard Tognetti and the Australian Chamber Orchestra who began the Festival and established it as a serious contender on the world stage – and the hottest concert tickets in the country! This album includes superb three recordings from those early years: music of Mendelssohn, Brahms and Percy Grainger.In 2006, the ACO passed the baton to Musica Viva and Artistic Director Carl Vine, opening up the Festival’s artist roster to an extraordinary range of musicians, both local and international. From among the literally hundreds of thrilling performances, this album features New York-based Australian pianist Andrea Lam, Russian-Armenian clarinettist Narek Arutyunian, the rich bass-baritone of Teddy Tahu Rhodes and Vienna’s acclaimed Eggner Trio, along with regular Festival guests the Goldner String Quartet and the rising stars of the Australian National Academy of Music (ANAM) Chamber Orchestra.…/2The CD of this compilation is available exclusively at the Festival itself, but for all those who can’t make the trip to Mudgee, ABC Classic is releasing the full album as a digital album, for download and streaming, so that audiences all around the world can share in the celebration. TRACKLISTING  1     MENDELSSOHN Symphony No. 3 ‘Scottish’: II. Vivace non troppo2     BRAHMS arr. ANGERER Chorale Prelude ‘O Gott, du frommer Gott’3     GRAINGER Blithe Bells       Australian Chamber Orchestra, Richard Tognetti director (2002 / 2004)        SCHUBERT4     An die Musik (To Music)5     Erlkönig (The Erl-King)6     Die Forelle (The Trout)7     Die Taubenpost (Pigeon Post) from Schwanengesang       Teddy Tahu Rhodes bass-baritone, Kristian Chong piano (2007)        WF BACH Sinfonia in F major ‘Dissonant’8     I. Vivace9     II. Andante10   III. Vivace11   IV. Menuetto I & II       ANAM Chamber Orchestra, Paul Wright violin / conductor (2010)      12   ROSS EDWARDS String Quartet No. 2 ‘Shekina Fantasy’:       I. Allegro moderato       Goldner String Quartet (2010)        MENDELSSOHN13   Song without Words Op. 67 No. 2 – Allegro leggiero14   Song without Words Op. 85 No. 4 – Andante sostenuto       Andrea Lam piano (2012) 15   WEBER Clarinet Quintet in B-flat major: II. Fantasia       Narek Arutyunian clarinet, Australian String Quartet (2012)        MUNRO Piano Trio No. 2 ‘Book of Lullabies’ – Excerpts16   II. Lullaby in Edo17   III. Kun Mun Kultani Tulisi18   IV. Skye Boat Song       Dimity Hall violin, Julian Smiles cello, Ian Munro piano (2013) 19   DVOŘÁK Piano Trio No. 1: II. Adagio molto e mesto       Eggner Trio (2015)