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Paul Cutlan's Coltrane Project - Live at the Side On Café
ABC Jazz is excited to announce the very first commercial release of a recording by Paul Cutlan's Coltrane Project, including a complete performance of John Coltrane's unfathomable masterpiece, Ascension.
The Coltrane Project was formed by Paul Cutlan and John Mackey as a one-off tribute concert in 1997 to mark the 30th anniversary of Coltrane's death. Gathering together some of Australia's finest improvisers, the popularity of the concept and the transformative energy of the ensemble has seen it regroup for a number of very special shows over the years, unique gatherings, never to be repeated, and never to be heard beyond those lucky few in the room - until now.
This release chronicles the highpoint of the project, when the ensemble swelled to 10 people in order to perform Ascension, that gigantic opus of Coltrane’s late repertoire, at the Side On Café in Annandale, in Sydney's inner-west.
"To me," says Cutlan, "Coltrane has always represented many things: an unreachably high standard of saxophone playing, the complexity and mystery of his harmonic and technical innovations, the inspiration of his untiring quest to always be better, to always be searching for greater spiritual and technical modes of expression, and an honest, human, universal quality which inspires my own efforts to discover what makes me unique and worthwhile as a musician."
Recorded for Radio National's Live on Stage program, this concert featured two sets: the first featured a sextet of Adam Ponting (piano), Steve Elphick and Steve Arié (basses), Toby Hall (drums), Andrew Robson (alto sax) and Paul Cutlan on tenor sax, bass clarinet and E-flat clarinet, performing both Coltrane compositions and originals by members of the project inspired by Coltrane’s output.
This gig began with Cutlan's own Blue Step, a piece in the style of Coltrane Plays the Blues, fused with a progression from his iconic Giant Steps. Equinox follows in a minor key with a slower, moodier blues: it gives the two basses plenty of space to interact, blending with bass clarinet. Then the key shifts up a semitone, unleashing a searing alto sax solo from Andrew Robson, before sinking back to the depths.
Naima is John Coltrane’s best known and loved ballad, written for his first wife. In this version, the bass clarinet and two basses once again create a dark, velvety texture, before a sublime piano solo from Adam Ponting. Kaleidoscope is a quirky, Calypso melody built on the harmonic progression to Giant Steps, written by Tony Gorman. Alto sax and piccolo clarinet duet before trading choruses, then the two basses also trade choruses.
Then came the second set - Ascension itself: a massive piece of intense expression, in which the players collectively create walls of sound. Each performer is featured in turn against this visceral environment, galvanised to transcend themselves in sound. For this set, the sextet is joined by Sandy Evans (tenor sax), Mathew Clare (alto sax), Phillip Slater (trumpet) and Jeremy Borthwick (trombone) - an incredible lineup featuring some of the most creative and accomplished jazz performers in Sydney.
"Among the inspiring line up of players on this performance," says Cutlan, "I want to make special mention of alto saxophonist Mathew Clare. This special musician died tragically young and isn’t documented on many recordings. I’m thrilled that audiences will now be able to hear Mathew’s highly emotive solo on Ascension, starting at 16:30."
"I’ve often wondered what to do with these recordings over the years, wanting to make them publicly available, but reticent to commit to producing an album or compilation. I think there are some incredible performances among all three recordings, but the original Coltrane albums are a daunting yardstick to be measured against. I’m really happy that this last ABC recording is finally being released - this seems to be the most appropriate way to share the accomplishments of a band which certainly developed an exciting and individual identity, as it came to grips with this awe-inspiring repertoire."
1. Blue Step (Paul Cutlan)
2. Equinox (John Coltrane)
3. Naima (John Coltrane)
4. Kaleidoscope (Tony Gorman)
5. Ascension (John Coltrane)
Paul Cutlan – tenor saxophone (1, 5), bass clarinet (2, 3), E-flat clarinet (4)
Andrew Robson – alto saxophone
Adam Ponting – piano
Steve Elphick & Steve Arié – bass
Toby Hall – drums
Plus (track 5 only):
Sandy Evans – tenor saxophone
Matthew Clare – alto saxophone
Phillip Slater – trumpet
Jeremy Borthwick – trombone
“This was a superb concert. 5 stars.” Artshub“The idea of pairing Australia’s finest up and coming pianist with our finest contemporary conductor to perform and record a cycle is a great one.”LimelightABC Classic is thrilled to announce the release of the complete piano concertos by Beethoven, performed by pianist Jayson Gillham, with the Adelaide Symphony Orchestra conducted by Nicholas Carter.This cycle – the first in twenty years recorded with an Australian pianist, conductor and orchestra – is a major contribution to the ongoing celebrations of Beethoven’s 250th anniversary.Beethoven’s five piano concertos stand at the very pinnacle of classical music. Written between 1795 and 1809, they trace the evolution of Beethoven’s music from the inheritor of the Classical style perfected by Mozart and Haydn, to the inventor of a style that was entirely his own: dramatic, expressive, and revolutionary.Recorded in five concerts performed over 10 days at Adelaide’s Elder Hall in June 2019, these recordings capture a soloist, conductor and orchestra totally in synch with each other, with a shared vision for the sound world and rhetoric of these mighty works. Reviews of the concert remarked at the “chamber music-like intimacy” between the performers, with a “sense of balance and support… often never heard before within these well-known and much listened to works” (Limelight).Internationally praised for his compelling performances, Australian-British pianist Jayson Gillham is recognised as one of the finest pianists of his generation. His debut album, released in 2016, immediately reached the No. 1 spot in both the Core Classical and Classical Crossover ARIA charts, while his latest album, 2018’s Romantic Bach, was described as “exceptional” and “a supremely satisfying recital from start to finish” by Limelight, and Gramophone said that, “many of these performances must bear comparison with famous recordings of the past by Rachmaninov, Myra Hess and Dinu Lipatti. Gillham comes up trumps every time.”Nicholas Carter was appointed Principal Conductor of the Adelaide Symphony Orchestra in 2016 – the first Australian to be chosen as Principal Conductor of an Australian orchestra in over 30 years – and has established a reputation as a conductor of exceptional versatility, equally at home in the concert hall and opera house, and fluent in a diverse repertoire. Newly appointed as Chief Conductor of the Stadttheater Klagenfurt and the Kärntner Sinfonieorchester, Nicholas Carter will lead three new productions per season and appear regularly in the orchestra’s concert series.With a reputation for vitality and versatility, the much loved Adelaide Symphony Orchestra is South Australia’s largest performing arts organisation, established in 1936. For over 80 years, the ASO has been there to corroborate life and contribute to South Australia’s identity. Today the ASO plays a major role in Adelaide’s cultural and economic vibrancy, and enriches the community through a diverse program of world-class performances to more than 100,000 concertgoers each season.TRACKLISTING CD1Piano Concerto No. 1 in C major, Op. 15I. Allegro con brioII. LargoIII. Rondo: Allegro scherzandoPiano Concerto No. 2 in B-flat major, Op. 19I. Allegro con brioII. AdagioIII. Rondo: Molto allegroCD2Piano Concerto No. 3 in C minor, Op. 37I. Allegro con brioII. LargoIII. Rondo: AllegroPiano Concerto No. 4 in G major, Op. 58I. Allegro moderatoII. Andante con motoIII. Rondo: VivaceCD3Piano Concerto No. 5 in E-flat major, Op. 73 ‘Emperor’I. AllegroII. Adagio un poco mossoIII. Rondo: Allegro Jayson Gillham pianoAdelaide Symphony OrchestraNicholas Carter conductor
“250 years ago, Ludwig van Beethoven, the Grand Mogul from Bonn (as Haydn cheekily referred to him) was born. The German composer, whose own extraordinary story famously includes suffering from profound deafness from his late 20s, would become regarded as the great musical liberator, forging the course of the Romantic movement and beyond.” Richard TognettiIn 2020 the Australian Chamber Orchestra will celebrate two monumental anniversaries: 30 years of fearless leadership with ACO Artistic Director Richard Tognetti and 250 years since the birth of the great Ludwig van Beethoven.To celebrate both milestones, ABC Classic is releasing a collection of the ACO’s legendary Beethoven recordings – including never-before released recordings of two of his greatest works: Symphonies 5 and 6.These recordings represent some of the orchestra’s finest performances, including two #1 albums and three ARIA Award-nominees, and feature collaborations with some of Australia’s finest artists – soprano Nicole Car, and pianistsTamara Anna Cislowska andErin Helyard.Beethoven has endured for centuries as one of the most popular and beloved composers around the world, with his music found everywhere from concert halls, to film soundtracks, to disco-era chart-toppers. He was a true musical revolutionary and is credited with paving the transition between the Classical and Romantic eras. His music has always been a mainstay of the ACO’s core repertoire, but this marks the first time that they have recorded these two monumental symphonies.Since its establishment in November 1975, the Australian Chamber Orchestra has become one of the world’s most daring and exciting ensembles, renowned globally for its inspired programming, unrivalled virtuosity, energy and individuality, showcased through an extensive and ongoing program of international touring and recordings for many of the world’s top labels.★★★★★“The Australian Chamber Orchestra was splendid in its all-Beethoven concert… [achieving] revealing clarity that gleamed like the colours of an old master newly restored.” – Sydney Morning Herald“[Beethoven’s] Fifth is always a crowdpleaser, and the ACO made it exceptionally so. This was the stuff of dreams.” – LimelightTRACKLISTING CD1Symphony No. 5 in C minor, Op. 67 *1 I. Allegro con brio2 II. Andante con moto3 III.Allegro –4 IV.AllegroSymphony No. 6 in F major, Op. 68 ‘Pastoral’ *5 I. Awakening of cheerful feelings on arrival in the countryside6 II. Scene by the brook7 III.Merry gathering of country folk –8 IV.Thunder, Storm –9 V. Shepherd’s song. Cheerful and thankful feelings after the stormCD2String Quartet in B-flat major, Op. 130, with Grosse Fuge, Op. 133 (arr. for string orchestra by Richard Tognetti)1 I. Adagio ma non troppo – Allegro2 II. Presto3 III.Poco scherzoso4 IV.Alla Danza tedesca5 V. Cavatina6 VI.Grosse Fuge7 Romance for Violin and Orchestra in F major, Op. 50 Satu Vänskä– violin8 Piano Concerto No. 5 in E-flat major, Op. 73 ‘Emperor’: II. Adagio un poco mosso Tamara-Anna Cislowska– piano9 Ah! perfido ... Per pietà, non dirmi addio, Op. 65 Nicole Car – sopranoCD3Sonata for Violin and Piano in G major, Op. 30, No. 3 1 I. Allegro assai2 II. Tempo di Minuetto, ma molto moderato e grazioso3 III.Allegro vivaceSonata for Violin and Piano in A major, Op. 47 ‘Kreutzer’ 4 Ia.Adagio sostenuto –5 Ib.Presto6 II. Andante con Variazioni7 III.Presto Richard Tognetti – violin Erin Helyard– fortepiano8 Violin Concerto in D major, Op. 61: I. Allegro ma non troppo Richard Tognetti– violin* Never previously released
The Huntington Estate Music Festival is one of the brightest stars in Australia’s musical firmament. For three decades, it has been bringing together top-flight musicians from around the country and around the world to present a breathtaking array of chamber music masterpieces, both iconic favourites and delicious new discoveries. Presented by the Huntington Estate Winery in association with Musica Viva Australia, and held in the winery’s Barrel Room, one of the most remarkable and surprising music venues in the world, the Festival is a delight to audiences and musicians alike.After 30 stellar years of exceptional music-making, however, the 2019 Festival will be the last, with Huntington Estate owners Tim and Nicky Stevens reluctantly deciding that their grapes – and their young family – must come first. To mark this significant occasion, ABC Classic is proud to delve into its broadcast archives to present this selection of some of the Festival’s most memorable performances across a typically diverse and intriguing range of repertoire: from Schubert and Dvořák to Bach’s astonishing eldest son Wilhelm Friedemann and Australian composers Ross Edwards and Ian Munro.It was Richard Tognetti and the Australian Chamber Orchestra who began the Festival and established it as a serious contender on the world stage – and the hottest concert tickets in the country! This album includes superb three recordings from those early years: music of Mendelssohn, Brahms and Percy Grainger.In 2006, the ACO passed the baton to Musica Viva and Artistic Director Carl Vine, opening up the Festival’s artist roster to an extraordinary range of musicians, both local and international. From among the literally hundreds of thrilling performances, this album features New York-based Australian pianist Andrea Lam, Russian-Armenian clarinettist Narek Arutyunian, the rich bass-baritone of Teddy Tahu Rhodes and Vienna’s acclaimed Eggner Trio, along with regular Festival guests the Goldner String Quartet and the rising stars of the Australian National Academy of Music (ANAM) Chamber Orchestra.…/2The CD of this compilation is available exclusively at the Festival itself, but for all those who can’t make the trip to Mudgee, ABC Classic is releasing the full album as a digital album, for download and streaming, so that audiences all around the world can share in the celebration. TRACKLISTING 1 MENDELSSOHN Symphony No. 3 ‘Scottish’: II. Vivace non troppo2 BRAHMS arr. ANGERER Chorale Prelude ‘O Gott, du frommer Gott’3 GRAINGER Blithe Bells Australian Chamber Orchestra, Richard Tognetti director (2002 / 2004) SCHUBERT4 An die Musik (To Music)5 Erlkönig (The Erl-King)6 Die Forelle (The Trout)7 Die Taubenpost (Pigeon Post) from Schwanengesang Teddy Tahu Rhodes bass-baritone, Kristian Chong piano (2007) WF BACH Sinfonia in F major ‘Dissonant’8 I. Vivace9 II. Andante10 III. Vivace11 IV. Menuetto I & II ANAM Chamber Orchestra, Paul Wright violin / conductor (2010) 12 ROSS EDWARDS String Quartet No. 2 ‘Shekina Fantasy’: I. Allegro moderato Goldner String Quartet (2010) MENDELSSOHN13 Song without Words Op. 67 No. 2 – Allegro leggiero14 Song without Words Op. 85 No. 4 – Andante sostenuto Andrea Lam piano (2012) 15 WEBER Clarinet Quintet in B-flat major: II. Fantasia Narek Arutyunian clarinet, Australian String Quartet (2012) MUNRO Piano Trio No. 2 ‘Book of Lullabies’ – Excerpts16 II. Lullaby in Edo17 III. Kun Mun Kultani Tulisi18 IV. Skye Boat Song Dimity Hall violin, Julian Smiles cello, Ian Munro piano (2013) 19 DVOŘÁK Piano Trio No. 1: II. Adagio molto e mesto Eggner Trio (2015)