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Genevieve Lacey

Soliloquy - Telemann Solo Fantasias

Soliloquy: An act of speaking your thoughts aloud, oblivious to any listeners

For acclaimed Australian recorder virtuoso Genevieve Lacey, Telemann’s twelve fantasias for solo flute have long had an intensely personal connection. As a teenager she was obsessed with a famous recording by the legendary Frans Brüggen, and performed the first fantasia of the set at her cousin’s funeral – the only thing she could think of to ease all that family pain.

Genevieve never learned the other eleven; the first was too tightly wound with grief for her to imagine a relationship with any of the others. But years later when she was ready to return to this beloved music, inspiration struck, and she decided to devote herself to learning one fantasia a month throughout 2017.

Over the course of that year, these fantasias became like a personal diary for Genevieve. An acutely personal and isolated process became a soliloquy – a series of moments out of time, out of earshot, diving ever deeper into sound, into memory, dream, and wonder.

Georg Philipp Telemann(1681–1767) was acclaimed in his day as the best composer in Germany – greater even than his contemporary, JS Bach. An absolute master of all the established musical forms of his day, both sacred and secular, Telemann was also a trailblazer with a seemingly inexhaustible imagination. His Fantasias for solo flute proved for the first time that this was an instrument able to weave from its single line of melody a vast harmonic tapestry, full of colour and emotion. Genevieve's performances reveal equally gorgeous and surprising colours on the recorder.

TRACKLISTING

GEORG PHILIPP TELEMANN
(1681–1757)
Fantasias for solo flute, TWV 40:2–13

Fantasia No 1 in A major

Fantasia No 2 in A minor

Fantasia No 3 in B minor

Fantasia No 4 in B-flat major

Fantasia No 5 in C major

Fantasia No 6 in D minor

Fantasia No 7 in D major

Fantasia No 8 in E minor

Fantasia No 9 in E major

Fantasia No 10 in F-sharp minor

Fantasia No 11 in G major

Fantasia No 12 in G minor

Genevieve Lacey

recorder

Release
The Huntington Estate Music Festival is one of the brightest stars in Australia’s musical firmament. For three decades, it has been bringing together top-flight musicians from around the country and around the world to present a breathtaking array of chamber music masterpieces, both iconic favourites and delicious new discoveries. Presented by the Huntington Estate Winery in association with Musica Viva Australia, and held in the winery’s Barrel Room, one of the most remarkable and surprising music venues in the world, the Festival is a delight to audiences and musicians alike.After 30 stellar years of exceptional music-making, however, the 2019 Festival will be the last, with Huntington Estate owners Tim and Nicky Stevens reluctantly deciding that their grapes – and their young family – must come first. To mark this significant occasion, ABC Classic is proud to delve into its broadcast archives to present this selection of some of the Festival’s most memorable performances across a typically diverse and intriguing range of repertoire: from Schubert and Dvořák to Bach’s astonishing eldest son Wilhelm Friedemann and Australian composers Ross Edwards and Ian Munro.It was Richard Tognetti and the Australian Chamber Orchestra who began the Festival and established it as a serious contender on the world stage – and the hottest concert tickets in the country! This album includes superb three recordings from those early years: music of Mendelssohn, Brahms and Percy Grainger.In 2006, the ACO passed the baton to Musica Viva and Artistic Director Carl Vine, opening up the Festival’s artist roster to an extraordinary range of musicians, both local and international. From among the literally hundreds of thrilling performances, this album features New York-based Australian pianist Andrea Lam, Russian-Armenian clarinettist Narek Arutyunian, the rich bass-baritone of Teddy Tahu Rhodes and Vienna’s acclaimed Eggner Trio, along with regular Festival guests the Goldner String Quartet and the rising stars of the Australian National Academy of Music (ANAM) Chamber Orchestra.…/2The CD of this compilation is available exclusively at the Festival itself, but for all those who can’t make the trip to Mudgee, ABC Classic is releasing the full album as a digital album, for download and streaming, so that audiences all around the world can share in the celebration. TRACKLISTING  1     MENDELSSOHN Symphony No. 3 ‘Scottish’: II. Vivace non troppo2     BRAHMS arr. ANGERER Chorale Prelude ‘O Gott, du frommer Gott’3     GRAINGER Blithe Bells       Australian Chamber Orchestra, Richard Tognetti director (2002 / 2004)        SCHUBERT4     An die Musik (To Music)5     Erlkönig (The Erl-King)6     Die Forelle (The Trout)7     Die Taubenpost (Pigeon Post) from Schwanengesang       Teddy Tahu Rhodes bass-baritone, Kristian Chong piano (2007)        WF BACH Sinfonia in F major ‘Dissonant’8     I. Vivace9     II. Andante10   III. Vivace11   IV. Menuetto I & II       ANAM Chamber Orchestra, Paul Wright violin / conductor (2010)      12   ROSS EDWARDS String Quartet No. 2 ‘Shekina Fantasy’:       I. Allegro moderato       Goldner String Quartet (2010)        MENDELSSOHN13   Song without Words Op. 67 No. 2 – Allegro leggiero14   Song without Words Op. 85 No. 4 – Andante sostenuto       Andrea Lam piano (2012) 15   WEBER Clarinet Quintet in B-flat major: II. Fantasia       Narek Arutyunian clarinet, Australian String Quartet (2012)        MUNRO Piano Trio No. 2 ‘Book of Lullabies’ – Excerpts16   II. Lullaby in Edo17   III. Kun Mun Kultani Tulisi18   IV. Skye Boat Song       Dimity Hall violin, Julian Smiles cello, Ian Munro piano (2013) 19   DVOŘÁK Piano Trio No. 1: II. Adagio molto e mesto       Eggner Trio (2015)