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Lee Kernaghan

Ultimate Video Hits

In September last year, Lee Kernaghan released his 42 Track Ultimate Hits through ABC Music/Universal Music Australia, marking a major milestone in a music career that has produced 30 #1 chart hits and record sales approaching 2,000,000 units in Australia alone.

Following the chart topping success of the Ultimate Hits CD release, Lee Kernaghan now releases his Ultimate Video Hits DVD on January 20.

The Ultimate Video Hits features 19 music videos, and live performances from CMC Rocks and the Gympie Muster.

The Ultimate Videos Hits captures Lee's entire musical journey from his debut ARIA Award winning The Outback Club album (1992) right through to his latest Golden Guitar award winning album, Planet Country.

At the age of 27, Kernaghan exploded onto the Australian music scene with a new brand of rural rock that redefined contemporary country music in Australia. His music was undeniably country but Kernaghan had learnt how to rock in the pubs and clubs of regional NSW. His music cut through to a younger generation of Australians and paved the way for an unprecedented string of hits that has made him one of Australia’s most loved artists.
Release
“This album covers the gamut of expressive musical possibilities – from extreme anguish and despair to heart-aching simplicity, from intellectual rigour and pure consonance to shattering dissonance. It is everything.” – Richard TognettiHot on the heels of their ARIA-nominated recording of Mozart’s Last Symphonies, the Australian Chamber Orchestra and Richard Tognetti showcase two works of genius by Beethoven and Bach. Recorded live in concert, these seminal works are given a new lease of life, opening up new soundworlds through the vitality and virtuosity for which the ACO has become globally renowned.Both Bach and Beethoven wrote these pieces towards the end of their lives. Beethoven’s Grosse Fuge was originally conceived as the final movement to his last string quartet; in it, the genre moves away from salon music into what Tognetti describes as “hyper-controlled cacophony, rousing responses ranging from rapture to despair”. This was too much for Beethoven’s contemporaries, and the quartet was soon given a more orthodox ending. In this album the Grosse Fuge is returned to its original place, and is presented in an arrangement for string orchestra by Tognetti which, in his words, is “careful not to exploit the greater dynamic capabilities at the expense of the innerlich heart of Beethoven’s uniquely powerful music”.Bach’s The Art of Fugue was left unfinished at his death, and is a work shrouded in mystery: it is unclear for what instrument it was originally written. A masterclass in the fugue – a form in which a single musical theme repeats and weaves around itself – the first four movements are presented here using strings, winds and even the voices of the orchestra to bring out the polyphonal parts which, in Bach’s hands, speak as one.Critical acclaim for the concerts at which this album was recorded include praise for the ACO’s “uncanny blend of muscularity and airiness” (The Daily Telegraph) and “restless dynamism” (Sydney Morning Herald).TRACKLISTINGJOHANN SEBASTIAN BACH 1685–1750The Art of Fugue, BWV1080 (selections)1. Contrapunctus I2. Contrapunctus II3. Contrapunctus III4. Contrapunctus IV LUDWIG VAN BEETHOVEN 1770–1827String Quartet in B-flat major, Op. 130 (with Grosse Fuge, Op. 133)5 I. Adagio ma non troppo – Allegro6 II. Presto7 III. Andante con moto ma non troppo (poco scherzoso)8 IV. Alla danza tedesca: Allegro assai9 V. Cavatina: Adagio molto espressivo10 VI. Grosse Fuge Australian Chamber OrchestraRichard Tognetti director and violin
Release
To celebrate the silver anniversary of his ARIA award winning debut album, Outback Club (1992), Lee Kernaghan releases a very special 25th Anniversary album. Joined in the studio by Australian country greats including James Blundell, Kasey Chambers, John Williamson, Troy Cassar Daley, The Wolfe Brothers, Adam Brand and many more; the album features new material from the thirty six time Golden Guitar winner. The celebrations continue throughout 2017 with special events and a national tour!  
Release
Acclaimed Australian jazz songstress Trish Delaney-Brown returns with her quintet in a new studio EP The Game.Delaney-Brown was a founding member of ARIA award winning vocal group The Idea of North, performing with the group for 15 years before taking a break to concentrate on family. She now returns to what she loves best – a small, tight ensemble performing original material where her voice is not just central to conveying a story, but also as an additional instrument firmly embedded within the ensemble’s sound world. And joining her in the Quintet are some of Australia’s greatest jazz instrumentalists: Nic Cecire – drums; Brendan Clarke – bass; Greg Coffin – piano; and Jeremy Sawkins – guitar.The Game was recorded for broadcast on ABC Jazz and includes mostly original material by Trish: from its title track The Game – exploring the changing nature of relationships, to the wordless composition Birds – evoking synchronised patterns of starlings in flight, and a very special arrangement of Pure Imagination – the only cover on the album, and one of Trish’s childhood favourites.
Release
Japanese composer Tōru Takemitsu creates a strange yet beautiful world, of yearning, of submerged complexity, of perfectly weighted timbres, of magical spans, of clouded, sensuous sound.This album is part of 1000 Years of Classical Music – a series of 100 volumes charting the history of music to be released on ABC Classics. More information can be found at the project’s website; www.1000YearsofClassicalMusic.com.TRACKLISTINGTŌRU TAKEMITSU 1930–19961 Dreamtime2 Nostalghia3 Vers, L’Arc-en-ciel, Palma4 Far Calls. Coming, Far!5 A Flock Descends into the Pentagonal GardenMelbourne Symphony OrchestraHiroyuki Iwaki conductor
Release
‘The flute of the faun brought new breath to the art of music’ (Pierre Boulez): Debussy’s masterpiece provoked a revolution in music – but one brought about by subtlety and intimacy, dwelling on the sheer beauty of musical timbre.This album is part of 1000 Years of Classical Music – a series of 100 volumes charting the history of music to be released on ABC Classics. More information can be found at the project’s website; www.1000YearsofClassicalMusic.com.TRACKLISTINGString Quartet in G minor, Op. 10 Australian String Quartet  Prélude à ‘L’Après-midi d'un faune’ (Prelude to ‘The Afternoon of a Faun’) Melbourne Symphony Orchestra, Jorge Mester conductor  La Mer (The Sea) Sydney Symphony Orchestra, Gianluigi Gelmetti conductor LIVE RECORDING
Release
At the dawn of the Romantic era, Schumann’s rich musical imagination takes flight in enchanting works for solo piano.This album is part of 1000 Years of Classical Music – a series of 100 volumes charting the history of music to be released on ABC Classics. More information can be found at the project’s website; www.1000YearsofClassicalMusic.com.TRACKLISTINGROBERT SCHUMANN 1810–1856Scenes from Childhood  1–13 Kinderscenen, Op. 1514–16 Fantasie, Op. 1717–28 Papillons, Op. 229 Novellette in D major, Op. 21 No. 2 Stephanie McCallum piano
Release
The passion of Flamenco blends with the elegance of courtly dances in the most popular guitar concerto of all time: Rodrigo’s Concierto de Aranjuez.This album is part of 1000 Years of Classical Music – a series of 100 volumes charting the history of music to be released on ABC Classics. More information can be found at the project’s website; www.1000YearsofClassicalMusic.com.TRACKLISTINGConcierto de AranjuezI. Allegro con spiritoII. AdagioIII. Allegro gentile Fantasía para un gentilhombreI. Villano y ricercare (Adagietto – Andante moderato)II. Españoleta – Fanfare de la caballería de Nápoles (Adagio – Allegretto – Tempo de españoleta)III. Danza de las hachas (Allegro con brio)IV. Canario (Allegro ma non troppo) Concierto madrigalI. Fanfarre (Allegro marziale)II. Madrigal (Andante nostalgico)III. Entrada (Allegro vivace)IV. ‘Pastorcico, tú que vienes, Pastorcico tú que vas’ (Allegro vivace)V. Girardilla (Presto)VI. Pastoral (Allegretto)VII. Fandango (Molto ritmico)VIII. Arietta (Andante nostalgico)IX. Zapateado (Allegro vivace)X. Caccia a la española (Allegro vivace – Andante nostalgico)
Release
Carl Orff brings the Middle Ages into the modern era with Carmina Burana, one of the best-loved choral works of the 20th century, and an exuberant celebration of the power of music’s simplest yet most versatile building blocks: beautiful melody, and raw rhythm.This album is part of 1000 Years of Classical Music – a series of 100 volumes charting the history of music to be released on ABC Classics. More information can be found at the project’s website; www.1000YearsofClassicalMusic.com.CARL ORFF 1895–1982Tracks 1 – 29. Carmina buranaEdition for voices, two pianos and percussionCantillationSara Macliver sopranoPaul McMahon tenorJonathan Summers baritoneSynergy PercussionAustralian Virtuosi (Michael Kieran Harvey & Bernadette Harvey)Sydney Children’s ChoirAntony Walker conductor
Release
Taking advantage of the new expressive possibilities opened up by improvements in the design of the clarinet, Mozart created a concerto of exquisite beauty – one of the last works he would ever write.This album is part of 1000 Years of Classical Music – a series of 100 volumes charting the history of music to be released on ABC Classics. More information can be found at the project’s website; www.1000YearsofClassicalMusic.com.TRACKLISTINGWOLFGANG AMADEUS MOZART 1756–1791 1-5 Eine kleine Nachtmusik (Serenade No. 13 in G major), KV5256-8 Clarinet Concerto in A major, KV6229-10 Adagio and Fugue in C minor, KV54611-13 Horn Concerto No. 4 in E-flat major, KV495
Release
After the death of Erik Satie, dozens of unsent love letters were found in his Paris apartment. Now composer Elena Kats-Chernin and pianist Tamara-Anna Cislowska send those letters off, in 26 meditative and passionate piano miniatures inspired by Satie’s extraordinary life and music.The album is a musical memoir from one composer to another, from the Uzbekistan-born Australian to the French composer whose eccentricities are legendary and music timeless. “Satie’s life was a fascinating, fervoursome affair,” says pianist Tamara-Anna Cislowska, “from the first strike of love and then lifelong estrangement with artist and muse Suzanne Valadon, to the unexpected celebrity and conflict of his last ten years. After he died, friends gaining access to his apartment, for the first time in almost three decades, found conditions both perplexing and romantically fastidious in their own way: two grand pianos one atop the other, one chair, one table, seven velvet suits and the love letters – many, many unsent love letters.”The album reflects on idiosyncrasies and anecdotes from Satie’s life, with music that ranges from seductive orientalism to hypnotic melodies reminiscent of the ground-breaking, transcendent beauty of Satie’s own piano pieces: ‘imaginary building’ reflects on his sketches of imaginary buildings (which he even advertised in the newspaper for rent and purchase); ‘very shiny’, one of his characteristically opaque performance directions; ‘postcard to a critic’, after Satie’s explosive response to a negative review (leading to a spell in gaol). The buoyant rhythms and rhapsodic harmonic style that have brought Kats-Chernin a reputation as one of the best-loved composers of her generation provide the perfect lens to reflect on a musical great of the previous century.This world-premiere recording was made in the presence of the composer, with Kats-Chernin’s own choice of pianist, the ARIA-Award-winning Tamara-Anna Cislowska, who has been described as “Australian piano gold” by BBC Music Magazine and praised for her “profoundly affecting” musicianship by Gramophone.